1
00:00:03,437 --> 00:00:06,338
Oh, come on, everybody,
        we'll be late. Let's go.

2
00:00:06,340 --> 00:00:08,007
I got your tie, B.

3
00:00:08,009 --> 00:00:10,843
   Don't forget
   your baseball mitt, Brian.

4
00:00:10,845 --> 00:00:11,677
                       How come?

5
00:00:11,679 --> 00:00:13,145
  You'll have a better chance

6
00:00:13,147 --> 00:00:14,947
 of catching the bridal squid.

7
00:00:16,350 --> 00:00:19,952
        On Earth, we don't throw
        marine life at weddings.

8
00:00:19,954 --> 00:00:22,221
     Then why get married?

9
00:00:22,223 --> 00:00:24,123
                     Good point.

10
00:00:24,125 --> 00:00:25,791
          Hey, Kate..

11
00:00:25,793 --> 00:00:29,995
   ...give this to the bride
   with my regards.

12
00:00:29,997 --> 00:00:33,032
     You're not giving away
     my Tupperware.

13
00:00:33,034 --> 00:00:34,466
Of course, I'm not.

14
00:00:34,468 --> 00:00:36,535
 Tell her to fill it with food.

15
00:00:36,537 --> 00:00:39,671
    I love wedding buffets.

16
00:00:39,673 --> 00:00:41,507
   You know,
   I may be sorry I ask this

17
00:00:41,509 --> 00:00:42,975
        but what are you
        gonna be doing

18
00:00:42,977 --> 00:00:44,977
while we're gone?

19
00:00:44,979 --> 00:00:46,678
       Oh, I don't know.

20
00:00:46,680 --> 00:00:49,281
     Between, uh,
     Brian's chemistry set

21
00:00:49,283 --> 00:00:51,450
      and Willie's
      matchbox collection

22
00:00:51,452 --> 00:00:53,652
      I'll find something.

23
00:00:55,222 --> 00:00:57,556
I've rented you these tapes..

24
00:00:57,558 --> 00:01:00,426
    ...ALF, to keep you occupied

25
00:01:00,428 --> 00:01:02,428
 and to keep you out of trouble.

26
00:01:02,430 --> 00:01:04,630
Oh, not "Ishtar" again.

27
00:01:05,900 --> 00:01:09,701
No, these are classics,
        you've never seen these.

28
00:01:09,703 --> 00:01:13,605
         This one is "The Sheik"
         with Rudolph Valentino.

29
00:01:13,607 --> 00:01:16,175
      And the other one's a film
      by Charlie Chaplin.

30
00:01:17,645 --> 00:01:21,246
     Kick the TV, Willie,
     the color's gone out.

31
00:01:21,248 --> 00:01:25,517
  [laughs]
  No, these are
  black and white movies, ALF.

32
00:01:25,519 --> 00:01:29,388
    How am I supposed to see
    Rudolph's red nose?

33
00:01:29,390 --> 00:01:30,956
And turn up the sound.

34
00:01:30,958 --> 00:01:33,292
I can't hear the actors.

35
00:01:33,294 --> 00:01:35,194
    These movies are silent.

36
00:01:36,564 --> 00:01:38,564
  I might as well be reading.

37
00:01:39,934 --> 00:01:42,367
Give 'em a chance, ALF,
you might like 'em.

38
00:01:42,369 --> 00:01:43,602
        Come on, guys, let's go.

39
00:01:44,872 --> 00:01:47,306
Oh, some classic, look at that.

40
00:01:47,308 --> 00:01:51,777
 A guy riding around the desert
 and a bunch of camels.

41
00:01:53,080 --> 00:01:54,146
         [door closes]

42
00:01:54,148 --> 00:01:56,215
  Who you folks trying to kid?

43
00:01:56,217 --> 00:01:59,218
       This is "Ishtar."

44
00:01:59,220 --> 00:02:01,820
         [theme music]

45
00:02:26,614 --> 00:02:28,814
       [music continues]

46
00:03:01,081 --> 00:03:02,114
      [instrumental music]

47
00:03:06,153 --> 00:03:08,754
       [telephone rings]

48
00:03:08,756 --> 00:03:10,889
     - Hello.
     - 'Hi, ALF, it's me.'

49
00:03:10,891 --> 00:03:13,525
   Oh, say, hey, Willie Mays.

50
00:03:13,527 --> 00:03:17,062
  Is this the obligatory check
  on the careless alien call?

51
00:03:17,765 --> 00:03:19,865
Well, yes, actually.

52
00:03:19,867 --> 00:03:21,833
Uh, what are you doing now?

53
00:03:21,835 --> 00:03:24,102
     I'm watching the tapes
     you left me.

54
00:03:24,104 --> 00:03:26,838
 You know, these silent flicks
 sort of grow on one.

55
00:03:26,840 --> 00:03:29,541
   Well, we'll be home
   in just a couple of hours.

56
00:03:29,543 --> 00:03:30,842
              Bye.

57
00:03:36,984 --> 00:03:39,051
         - Hello, Jake?
         - 'Hi, ALF.'

58
00:03:39,053 --> 00:03:40,686
  You know how to spell stuff,
  don't ya?

59
00:03:40,688 --> 00:03:42,487
          [indistinct]

60
00:03:42,489 --> 00:03:43,722
              Yeah.

61
00:03:45,292 --> 00:03:46,658
           (Jake)
           'Yo, ALF.'

62
00:03:47,528 --> 00:03:49,228
         Yo, Jakernaut.

63
00:03:49,230 --> 00:03:51,063
               What do you want?

64
00:03:51,065 --> 00:03:52,731
I need you to help me
write the script

65
00:03:52,733 --> 00:03:54,666
for my silent movie.

66
00:03:54,668 --> 00:03:57,135
      Why are you writin'
      a silent movie?

67
00:03:57,137 --> 00:03:59,104
       'Cause they don't
       write themselves.

68
00:03:59,106 --> 00:04:00,539
        Listen to this.

69
00:04:00,541 --> 00:04:04,876
  "Fade in,
  on a vast desert landscape.

70
00:04:04,878 --> 00:04:07,846
   <i> "My trusty Arabian steed</i>
   <i> races over the dunes</i>

71
00:04:07,848 --> 00:04:10,249
     <i> "to my desert oasis.</i>

72
00:04:10,251 --> 00:04:12,417
    <i> "Waiting inside my tent</i>

73
00:04:12,419 --> 00:04:14,286
<i> "my luscious and devoted wives</i>

74
00:04:14,288 --> 00:04:16,421
      <i> "swoon with desire.</i>

75
00:04:16,423 --> 00:04:18,690
       <i> I have returned."</i>

76
00:04:21,762 --> 00:04:23,262
        [Jake laughing]

77
00:04:23,264 --> 00:04:24,496
What?

78
00:04:24,498 --> 00:04:27,499
You as a sheik with a harem?

79
00:04:27,501 --> 00:04:29,401
    Every sheik has a harem.

80
00:04:29,403 --> 00:04:31,536
     It's considered chic.

81
00:04:31,538 --> 00:04:33,105
             Ha ha!

82
00:04:33,107 --> 00:04:34,306
           I kill me!

83
00:04:34,308 --> 00:04:35,941
           Huh. Hmm.

84
00:04:35,943 --> 00:04:38,243
Maybe I could work
that into the script.

85
00:04:38,245 --> 00:04:39,311
             That's what I mean.

86
00:04:39,313 --> 00:04:41,947
           I see you more
           as a comedy-type guy.

87
00:04:41,949 --> 00:04:43,715
     Like Charlie Chaplin?

88
00:04:43,717 --> 00:04:45,284
        Like Cousin Itt.

89
00:04:46,787 --> 00:04:49,254
  Let's not get too ambitious
  on our first movie.

90
00:04:49,957 --> 00:04:52,124
We'll start with Chaplin.

91
00:04:52,126 --> 00:04:54,660
It's 1929.

92
00:04:54,662 --> 00:04:56,662
           <i> Iris in.</i>

93
00:04:56,664 --> 00:04:58,864
[instrumental music]

94
00:05:01,969 --> 00:05:05,437
   <i> The little scamp must beg</i>
   <i> for every scrap of food.</i>

95
00:05:05,439 --> 00:05:08,807
   <i> A situation with which</i>
   <i> I am painfully familiar.</i>

96
00:05:10,711 --> 00:05:12,911
       [music continues]

97
00:05:18,719 --> 00:05:20,619
    <i> Willie can play the cop</i>
    <i> who always butts in</i>

98
00:05:20,621 --> 00:05:22,354
<i> and never lets me do anything.</i>

99
00:05:22,356 --> 00:05:24,189
    <i> He's perfect for that.</i>

100
00:05:24,191 --> 00:05:26,358
       [music continues]

101
00:05:43,377 --> 00:05:44,843
      [inaudible dialogue]

102
00:05:47,381 --> 00:05:49,981
       [music continues]

103
00:06:10,604 --> 00:06:13,305
     Ha! Grand re-opening.

104
00:06:13,307 --> 00:06:16,675
      Ha! I really fooled
Willie that time.

105
00:06:16,677 --> 00:06:18,043
     You type for a while.

106
00:06:18,045 --> 00:06:21,246
You've got 25 percent
more fingers.

107
00:06:21,248 --> 00:06:23,615
 Hey, ALF, is anybody else
 gonna get to be in your movie

108
00:06:23,617 --> 00:06:25,484
    besides Willie and Kate?

109
00:06:25,486 --> 00:06:26,852
           Like who?

110
00:06:26,854 --> 00:06:28,253
         I don't know.
         Maybe like, uh

111
00:06:28,255 --> 00:06:31,656
       Lynn or Brian
       or somebody else.

112
00:06:31,658 --> 00:06:33,191
Hmm.

113
00:06:33,193 --> 00:06:34,793
Brian and Lynn.

114
00:06:34,795 --> 00:06:37,629
Good idea,
Jake-around-the-tree.

115
00:06:37,631 --> 00:06:39,364
Take this down.

116
00:06:39,366 --> 00:06:41,099
In the next scene..

117
00:06:41,101 --> 00:06:43,268
  <i> After a hard day of begging</i>

118
00:06:43,270 --> 00:06:46,138
  <i> the little scamp has</i>
<i> only one penny to his name</i>

119
00:06:46,140 --> 00:06:48,540
<i> and not a friend in the world.</i>

120
00:06:48,542 --> 00:06:50,242
      [instrumental music]

121
00:06:51,145 --> 00:06:54,012
 <i> Then a beautiful flower girl</i>

122
00:06:54,014 --> 00:06:56,014
     <i> sits down beside him.</i>

123
00:06:56,016 --> 00:06:58,016
       [music continues]

124
00:06:58,685 --> 00:07:00,952
      [inaudible dialogue]

125
00:07:06,160 --> 00:07:09,327
  <i> She's astounded</i>
  <i> by his striking good looks.</i>

126
00:07:10,264 --> 00:07:11,763
           <i> (Jake)</i>
           <i> Say what?</i>

127
00:07:11,765 --> 00:07:13,732
     <i> (ALF)</i>
     <i> She's blind, alright?</i>

128
00:07:13,734 --> 00:07:15,534
  <i> That could be Lynn's part.</i>

129
00:07:16,937 --> 00:07:18,670
      <i> And Brian can play</i>
<i> her little brother</i>

130
00:07:18,672 --> 00:07:20,272
        <i> shoeshine boy.</i>

131
00:07:32,953 --> 00:07:34,953
       [music continues]

132
00:07:51,505 --> 00:07:53,405
      [inaudible dialogue]

133
00:07:58,846 --> 00:08:00,779
  <i> (Jake)</i>
  <i> Okay, so what happens next?</i>

134
00:08:00,781 --> 00:08:02,914
<i> (ALF)</i>
<i>They invite me home for dinner.</i>

135
00:08:02,916 --> 00:08:04,916
      [instrumental music]

136
00:08:16,897 --> 00:08:18,530
    <i> And they're real poor.</i>

137
00:08:18,532 --> 00:08:20,565
       <i> They're so poor,</i>
       <i> the widow Kate</i>

138
00:08:20,567 --> 00:08:23,635
    <i> has to take in laundry</i>
    <i> to pay the rent.</i>

139
00:08:23,637 --> 00:08:25,070
 <i> But when I show up for dinner</i>

140
00:08:25,072 --> 00:08:27,405
       <i> Kate welcomes me</i>
<i> with open arms.</i>

141
00:08:31,678 --> 00:08:33,712
 <i> (Jake)</i>
 <i> That doesn't sound like Kate.</i>

142
00:08:33,714 --> 00:08:35,080
        <i> (ALF)</i>
        <i> It's my movie.</i>

143
00:08:35,082 --> 00:08:37,916
      [inaudible dialogue]

144
00:09:06,013 --> 00:09:08,013
       [music continues]

145
00:09:27,801 --> 00:09:29,467
      [inaudible dialogue]

146
00:09:50,924 --> 00:09:54,492
So I say,
"Psst, you're eating footwear."

147
00:09:54,494 --> 00:09:56,328
Ha ha ha!

148
00:09:56,330 --> 00:09:59,130
I love that scene. Brilliant!

149
00:09:59,132 --> 00:10:01,499
        It was in
        a Charlie Chaplin movie.

150
00:10:01,501 --> 00:10:03,368
     So what, Jake Hammer?

151
00:10:03,370 --> 00:10:05,470
     Haven't you ever heard
     the old saying

152
00:10:05,472 --> 00:10:08,540
  "Imitation is the sincerest
  form of plagiarism?"

153
00:10:10,510 --> 00:10:13,912
Suddenly, there's a knock
   at the door.

154
00:10:13,914 --> 00:10:16,581
    It's Jake Ochmonek,
    the next door neighbor.

155
00:10:16,583 --> 00:10:17,716
   [imitates buzzer buzzing]

156
00:10:17,718 --> 00:10:19,618
Wrong.

157
00:10:19,620 --> 00:10:21,386
   <i> (ALF)</i>
   <i> Back at the widow Kate's</i>

158
00:10:21,388 --> 00:10:23,488
 <i> there's a knock at the door.</i>

159
00:10:23,490 --> 00:10:25,290
      [instrumental music]

160
00:10:29,062 --> 00:10:31,029
      [inaudible dialogue]

161
00:10:40,073 --> 00:10:42,140
    <i> It's the evil landlord</i>
    <i> Colonel Trevor</i>

162
00:10:42,142 --> 00:10:45,010
     <i> and his evil spouse,</i>
     <i> Lady Raquel.</i>

163
00:10:47,447 --> 00:10:50,248
    <i> They've come to collect</i>
    <i> the evil rent.</i>

164
00:10:50,250 --> 00:10:52,450
[music continues]

165
00:11:17,611 --> 00:11:19,344
      [inaudible dialogue]

166
00:11:44,538 --> 00:11:46,471
     <i> So Trevor and Raquel</i>
     <i> take the money</i>

167
00:11:46,473 --> 00:11:49,774
 <i> that was supposed to be for</i>
 <i> Brian and Lynn's operations.</i>

168
00:11:49,776 --> 00:11:51,943
   <i> Without me,</i>
   <i> there'd be no hope left.</i>

169
00:11:51,945 --> 00:11:54,713
      [inaudible dialogue]

170
00:11:54,715 --> 00:11:56,147
       <i> That's when I say</i>

171
00:11:56,149 --> 00:11:58,249
     <i> "Don't cry,</i>
     <i> I will get the money</i>

172
00:11:58,251 --> 00:12:00,318
     <i> for your operations."</i>

173
00:12:00,320 --> 00:12:02,320
       [music continues]

174
00:12:13,734 --> 00:12:16,101
      [instrumental music]

175
00:12:17,437 --> 00:12:19,270
Oh!

176
00:12:19,272 --> 00:12:22,640
How am I gonna get the money
for the operations?

177
00:12:22,642 --> 00:12:24,609
                  I got an idea.

178
00:12:24,611 --> 00:12:26,244
          What is it?

179
00:12:26,246 --> 00:12:28,279
  Well, uh,
  what'll you give me for it?

180
00:12:28,281 --> 00:12:30,215
       What do you want?

181
00:12:30,217 --> 00:12:31,549
            A part in the movie.

182
00:12:31,551 --> 00:12:33,318
 Everybody else is in the movie.

183
00:12:33,320 --> 00:12:35,920
That's all? You got it.

184
00:12:35,922 --> 00:12:37,722
I was afraid
you wanted to direct.

185
00:12:37,724 --> 00:12:40,525
 - I'll take that.
 - Forget it, Jake-in-the-Box.

186
00:12:40,527 --> 00:12:42,527
         - No can do.
         - Fine, fine.

187
00:12:42,529 --> 00:12:44,529
     You keep your job,
     and I'll keep my idea.

188
00:12:44,531 --> 00:12:47,132
  Okay, okay, you can direct.

189
00:12:47,134 --> 00:12:49,901
What's your idea
      for the next scene?

190
00:12:49,903 --> 00:12:51,236
 <i> (Jake)</i>
 <i> Okay, your character comes up</i>

191
00:12:51,238 --> 00:12:52,737
    <i> with a brilliant plan.</i>

192
00:12:52,739 --> 00:12:54,472
      <i> Instead of sellin'</i>
      <i> all the flowers</i>

193
00:12:54,474 --> 00:12:55,874
       <i> you tie a string</i>
       <i> to one flower</i>

194
00:12:55,876 --> 00:12:58,143
     <i> and sell it</i>
     <i> over and over again.</i>

195
00:12:58,145 --> 00:13:00,745
      [instrumental music]

196
00:13:25,639 --> 00:13:27,238
          <i> (ALF)</i>
          <i> Great plan.</i>

197
00:13:27,240 --> 00:13:29,040
     <i> But you forgot about</i>
     <i> Officer Willie.</i>

198
00:13:29,042 --> 00:13:31,376
<i> He'll probably arrest us.</i>

199
00:13:31,378 --> 00:13:33,378
          <i> (Jake)</i>
          <i> Bribe him.</i>

200
00:13:37,551 --> 00:13:39,117
       <i> (ALF)</i>
       <i> Well, let's say</i>
       <i> he falls for that</i>

201
00:13:39,119 --> 00:13:40,752
   <i> for the sake of argument.</i>

202
00:13:40,754 --> 00:13:43,354
 <i> We're still back</i>
 <i> where we started, only worse.</i>

203
00:13:43,356 --> 00:13:45,557
       [music continues]

204
00:13:49,062 --> 00:13:50,795
 <i> There's a knock at the door.</i>

205
00:13:52,732 --> 00:13:53,832
            <i> (Jake)</i>
            <i> Again?</i>

206
00:13:53,834 --> 00:13:55,466
     <i> (ALF)</i>
     <i> It works, just type.</i>

207
00:13:55,468 --> 00:13:58,102
   <i> (Jake)</i>
<i> Yeah, yeah. So who is it?</i>

208
00:13:58,104 --> 00:14:01,940
 <i> (ALF)</i>
 <i> Lady Raquel, the evil spouse</i>
 <i> of the evil landlord.</i>

209
00:14:01,942 --> 00:14:03,675
            <i> (Jake)</i>
            <i> Again?</i>

210
00:14:03,677 --> 00:14:05,243
     <i> (ALF)</i>
     <i> She lost her earring.</i>
     <i> Yeah, that's it.</i>

211
00:14:05,245 --> 00:14:06,978
      <i> And-and when she's</i>
      <i> snooping around</i>

212
00:14:06,980 --> 00:14:09,147
   <i> she finds a strange hair.</i>

213
00:14:09,149 --> 00:14:10,949
       [music continues]

214
00:14:20,427 --> 00:14:22,527
    <i> So she calls the cops.</i>

215
00:14:23,163 --> 00:14:24,896
            <i> (Jake)</i>
            <i> Why?</i>

216
00:14:24,898 --> 00:14:26,664
<i> (ALF)</i>
   <i> Because it's a violation</i>
   <i> of the lease.</i>

217
00:14:26,666 --> 00:14:29,067
   <i> If a non-human</i>
   <i> is found on the premises</i>

218
00:14:29,069 --> 00:14:31,402
  <i> the landlord can throw</i>
  <i> the family into the street.</i>

219
00:14:31,404 --> 00:14:33,404
           <i> Ha ha ha.</i>

220
00:14:33,406 --> 00:14:35,607
       [music continues]

221
00:14:41,314 --> 00:14:43,314
      [inaudible dialogue]

222
00:14:55,428 --> 00:14:57,695
       [music continues]

223
00:15:06,539 --> 00:15:07,906
      [music intensifies]

224
00:15:18,518 --> 00:15:20,718
       [music continues]

225
00:15:33,199 --> 00:15:34,632
      [inaudible dialogue]

226
00:15:42,676 --> 00:15:44,909
 <i> Now comes the romantic part.</i>

227
00:15:44,911 --> 00:15:47,779
   <i> Officer Willie is smitten</i>
<i> by the widow Kate.</i>

228
00:15:47,781 --> 00:15:50,081
      <i> Who's smitten</i>
      <i> with Officer Willie</i>

229
00:15:50,083 --> 00:15:52,717
 <i> who incidentally reminds her</i>
 <i> of her late husband</i>

230
00:15:52,719 --> 00:15:54,519
       <i> who was smitten</i>
       <i> by a dump truck.</i>

231
00:15:54,521 --> 00:15:56,721
       [music continues]

232
00:16:10,904 --> 00:16:13,738
  <i> And so Kate invites Willie</i>
  <i> to stay for dinner.</i>

233
00:16:13,740 --> 00:16:15,740
    <i> (Jake)</i>
    <i> And what's for dinner?</i>

234
00:16:21,781 --> 00:16:22,914
Ha ha!

235
00:16:22,916 --> 00:16:25,917
All these people eat
is shoes and socks.

236
00:16:25,919 --> 00:16:26,818
I love it.

237
00:16:26,820 --> 00:16:29,120
And they live
happily ever after.

238
00:16:29,122 --> 00:16:30,989
The end.

239
00:16:32,192 --> 00:16:34,592
Got that?
       Fade out, the end.

240
00:16:34,594 --> 00:16:36,294
    You didn't type the end.

241
00:16:36,296 --> 00:16:38,730
       Because the story
       isn't over yet.

242
00:16:38,732 --> 00:16:40,999
  Lynn and Brian
  didn't get their operations

243
00:16:41,001 --> 00:16:44,469
 and the evil landlord
 didn't get his just desserts.

244
00:16:44,471 --> 00:16:46,004
Let's save that for the sequel.

245
00:16:46,006 --> 00:16:49,374
    Skip dinner, and have
    just desserts ourselves.

246
00:16:50,443 --> 00:16:52,910
      But what becomes
      of the little scamp?

247
00:16:52,912 --> 00:16:56,347
Alright, alright,
we'll finish the film.

248
00:16:56,349 --> 00:16:58,282
What a slave driver.

249
00:16:58,284 --> 00:17:00,084
    That's why I'm the director.

250
00:17:02,389 --> 00:17:05,390
 <i> (ALF)</i>
<i> The little scamp</i>
 <i> packs his meager possessions</i>

251
00:17:05,392 --> 00:17:07,392
     <i> in his meager valise.</i>

252
00:17:10,630 --> 00:17:12,697
  <i> Suddenly, Kate comes home.</i>

253
00:17:16,202 --> 00:17:17,902
<i> She doesn't want him to leave.</i>

254
00:17:17,904 --> 00:17:20,004
      <i> (Jake)</i>
      <i> That really doesn't</i>
      <i> sound like Kate.</i>

255
00:17:20,006 --> 00:17:22,206
      <i> (ALF)</i>
      <i> She'll do it.</i>
      <i> It's called acting.</i>

256
00:17:22,208 --> 00:17:24,008
      [instrumental music]

257
00:17:36,489 --> 00:17:39,023
      <i> Suddenly, they hear</i>
      <i> the doorbell.</i>

258
00:17:41,327 --> 00:17:43,061
      [inaudible dialogue]

259
00:17:52,038 --> 00:17:54,605
     <i> (Jake)</i>
<i> Who is it this time?</i>

260
00:17:54,607 --> 00:17:57,475
    <i> (ALF)</i>
    <i> It's the evil landlord</i>
    <i> Colonel Trevor.</i>

261
00:17:57,477 --> 00:17:59,410
    <i> When he sees</i>
    <i> that the coast is clear</i>

262
00:17:59,412 --> 00:18:01,412
   <i> he makes a pass at Kate.</i>

263
00:18:05,618 --> 00:18:07,752
      <i> Little does he know</i>
      <i> the little scamp</i>

264
00:18:07,754 --> 00:18:09,620
   <i> is hiding under the table</i>
   <i> with a camera.</i>

265
00:18:09,622 --> 00:18:11,355
   <i> (Jake)</i>
   <i> Where'd he get a camera?</i>

266
00:18:11,357 --> 00:18:13,391
   <i> (ALF)</i>
   <i> From the prop department,</i>
   <i> where else?</i>

267
00:18:13,393 --> 00:18:15,593
[music continues]

268
00:18:16,629 --> 00:18:18,663
      [inaudible dialogue]

269
00:18:40,420 --> 00:18:41,853
       [music continues]

270
00:19:09,315 --> 00:19:11,115
     <i> So I've saved the day</i>

271
00:19:11,117 --> 00:19:13,484
  <i> gotten the money for Brian</i>
  <i> and Lynn's operations</i>

272
00:19:13,486 --> 00:19:16,487
 <i> and sent the evil</i>
 <i> Colonel Trevor away for good.</i>

273
00:19:16,489 --> 00:19:19,857
  <i> Then, as soon as he's gone</i>
  <i> guess who shows up?</i>

274
00:19:19,859 --> 00:19:21,259
       <i> (Jake)</i>
       <i> Whitney Houston?</i>

275
00:19:21,261 --> 00:19:22,627
        <i> (ALF)</i>
        <i> No. It's Lynn.</i>

276
00:19:22,629 --> 00:19:24,795
       <i> Somebody bought</i>
<i> all her flowers.</i>

277
00:19:24,797 --> 00:19:27,398
 <i> - Who?</i>
 <i> - Officer Willie, of course.</i>

278
00:19:27,400 --> 00:19:29,600
       [music continues]

279
00:19:45,785 --> 00:19:48,786
    <i> [instrumental</i>
    <i> "Here Comes the Bride"]</i>

280
00:19:57,597 --> 00:19:59,764
      <i> Fade out. The end.</i>

281
00:19:59,766 --> 00:20:02,733
    But what about
    Lynn and Brian's operations?

282
00:20:02,735 --> 00:20:05,836
I said, "Fade out. The end."

283
00:20:05,838 --> 00:20:08,706
      Uh-huh, I still got
      the typewriter.

284
00:20:08,708 --> 00:20:11,576
     You know what you are,
     Francis Ford Jakola?

285
00:20:11,578 --> 00:20:13,778
 You're a stickler for detail.

286
00:20:13,780 --> 00:20:16,547
   I hate that in a neighbor.

287
00:20:16,549 --> 00:20:19,050
    Dissolve to the hospital
waiting room.

288
00:20:20,286 --> 00:20:23,054
    <i> (ALF)</i>
    <i> The soon to be married</i>
    <i> widow Kate</i>

289
00:20:23,056 --> 00:20:26,123
 <i> and the smitten</i>
 <i> with true love Officer Willie</i>

290
00:20:26,125 --> 00:20:30,528
<i> await the results</i>
<i>of Lynn and Brian's operations.</i>

291
00:20:30,530 --> 00:20:32,330
      [instrumental music]

292
00:20:36,769 --> 00:20:39,003
      [inaudible dialogue]

293
00:20:54,554 --> 00:20:56,754
      [inaudible dialogue]

294
00:21:01,427 --> 00:21:03,261
       [music continues]

295
00:21:12,472 --> 00:21:14,605
    I can talk! I can talk!

296
00:21:14,607 --> 00:21:16,807
       [music continues]

297
00:21:26,185 --> 00:21:27,818
Okay, Mr. Director

298
00:21:27,820 --> 00:21:30,087
any more loose ends
you wanna tie up

299
00:21:30,089 --> 00:21:32,757
or can we just type,
the end, now?

300
00:21:33,993 --> 00:21:36,460
The end.

301
00:21:36,462 --> 00:21:39,196
Well, this is gonna be
<i> bafo, socko.</i>

302
00:21:39,198 --> 00:21:41,132
A box office bonanza.

303
00:21:41,134 --> 00:21:43,367
It's the greatest story
ever told.

304
00:21:43,369 --> 00:21:46,470
  Don't get carried away, ALF,
  it's not that good.

305
00:21:46,472 --> 00:21:47,905
         Well, not yet.

306
00:21:47,907 --> 00:21:50,908
     But once we add sound,
     colorize it

307
00:21:50,910 --> 00:21:53,344
     and stick Eddie Murphy
     in there someplace

308
00:21:53,346 --> 00:21:55,146
       it'll be a smash.

309
00:21:56,683 --> 00:21:58,082
      [instrumental music]

310
00:21:58,084 --> 00:21:59,216
            It will.

311
00:22:03,256 --> 00:22:04,288
      [instrumental music]

312
00:22:06,259 --> 00:22:07,458
        - I loved that.
        - Yeah.

313
00:22:07,460 --> 00:22:09,126
          - So did I..
- Oh.

314
00:22:10,530 --> 00:22:12,430
     ALF, are you in there?

315
00:22:17,470 --> 00:22:19,270
      [inaudible dialogue]

316
00:22:21,941 --> 00:22:24,041
"I'm not ALF. I'm the sheik."

317
00:22:24,043 --> 00:22:25,343
           [laughing]

318
00:22:25,345 --> 00:22:28,546
   I get it. He's pretending
   to be in a silent movie.

319
00:22:28,548 --> 00:22:30,014
              Hmm.

320
00:22:30,016 --> 00:22:32,416
    Alright, sheik, you will now
    put every single sheet

321
00:22:32,418 --> 00:22:34,618
      and pillow back on the bed
      you took it from.

322
00:22:34,620 --> 00:22:36,420
                  Is that clear?

323
00:22:36,422 --> 00:22:39,023
      [inaudible dialogue]

324
00:22:40,893 --> 00:22:43,060
    "Perfectly clear, Kate."

325
00:22:43,062 --> 00:22:44,628
           [chuckles]

326
00:22:44,630 --> 00:22:46,530
           Ha ha ha!

327
00:22:46,532 --> 00:22:49,033
 You people are so predictable.

328
00:22:49,035 --> 00:22:50,835
Ha ha ha!

329
00:22:52,438 --> 00:22:54,305
         [theme music]

330
00:23:19,365 --> 00:23:21,298
         [ALF laughing]


